Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Giulia Andreani. Sabotage
Silvana Editoriale
Edited by Sam Bardaouil and Till Fellrath.
English and German Text.
Cinisello Balsamo, 2026; paperback, pp. 136, 72 col. ill., cm 17x24.
ISBN: 88-366-6410-5 - EAN13: 9788836664108
Languages:
Weight: 0.444 kg
that expose fractures within official histories.
Andreani's artistic practice of "painting with photographs" thrives on the tension between authoritarian figures and
forgotten characters of the past. The starting point for the figurative, monochromatic paintings whose Payne's gray
tones recall historical photographs is found in family albums or archives. Her images reveal hidden narratives, address
collective forgetting, and open up new layers of meaning for the present.
The exhibition at Hamburger Bahnhof is her first institutional solo show in Germany.
This is the 17th in a series of publications accompanying solo exhibitions of contemporary artists at Hamburger Bahnhof
- Nationalgalerie der Gegenwart. In addition to exhibition views and images of artworks, it comprises a curatorial introduction
by Sam Bardaouil, an extensive interview by Cecilia Alemani with Giulia Andreani as well as an essay by Ludovic
Delalande.










