De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Phantastische Welten. Malerei Auf Meissener Porzellan Und Deutschen Fayencen Von Adam Friedrich Von Löwenfinck (1714-1754)
Ulrich Pietsch
Arnoldsche Art Publishers
Published by the Staatliche Kunstsammlungen Dresden. With documents transcribed from the originals.
German Text.
Stuttgart, 2014; clothbound, pp. 384, 320 col. ill., cm 21x28.
ISBN: 3-89790-420-9 - EAN13: 9783897904200
Subject: Decorative Arts (Ceramics, Porcelain, Majolica)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 2.02 kg
Adam Friedrich von Löwenfinck (1714-1754) was one of the most significant painters of ceramic in the eighteenth century. He began his career in 1728 at the porcelain manufactory Meissen, which he left a few years later in order to escape the restrictions imposed on his artistic development and the difficult working conditions in the painting rooms. His adventurous path through life led him to various faience manufacturers, including Bayreuth, Ansbach, Fulda, Höchst and Straßburg-Haguenau. Due to his exceptional creative ability, but also through deftness and unscrupulousness, Löwenfinck ultimately rose from a simple journeyman to the position of manufactory director.
Löwenfinck is renowned for his fantastic world of colourfully iridescent and fairy-tale mythical creatures. He deeply influenced and shaped ceramic painting of the time and defined the style of many manufacturers of eighteenth-century Europe. Because artist signatures are missing, his work is controversial and was until now sceptically debated.
The current publication is the result of a research project by the Porcelain Collection, Dresden, carried out over many years and with which the very first, essential study of the biography and oeuvre of Adam Friedrich von Löwenfinck is now presented.










