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DEAL OF THE DAY

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Presentazione di Erich Schleier.
San Casciano V.P., 2013; paperback, cm 21x28.

cover price: € 77.00

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Total price: € 77.00 € 127.00 add to cart carrello

Books included in the offer:

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Presentazione di Erich Schleier.
San Casciano V.P., 2013; paperback, cm 21x28.

FREE (cover price: € 77.00)

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica

Milano, 1992; bound, pp. 471, col. ill., col. plates, cm 33x30,5.

FREE (cover price: € 50.00)

Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica

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Federico Barocci. Renaissance Master of Color and Line

Yale University Press

Saint Louis Art Museum, 21 October 2012 - 20January 2013.
National Gallery, London, 27 February - 19 May 2013.
English Text.
London, 2012; hardback, pp. 378, 214 col. ill., cm 24x28.

ISBN: 0-300-17477-2 - EAN13: 9780300174779

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 2.1 kg


Federico Barocci (c. 1533/35-1612) was one of the most innovative Italian artists of the second half of the 16th century. His art combines the Renaissance focus on the human body with an unparalleled use of colour and light. He created dynamic compositions that challenged the limitations of traditional pictorial boundaries, becoming a model for Baroque artists of the following century. Nearly 1,500 drawings by Barocci survive, providing invaluable insight into the artist's process and thinking.
Essays by leading scholars in the field discuss the role of Urbino - Barocci's hometown - in the artist's development; his pioneering approach to religious subjects; his technique as a draughtsman; the interdependence of painting and drawing in his work; and his use of red underpaint. Catalogue entries treat nineteen groups of paintings and drawings, including many previously unpublished sheets. This beautiful book reveals the breadth and significance of Barocci's oeuvre.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci