Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Melissa Moore. Land Ends
Skira
Cardiff, International Festival of Photography Diffusion, May 1 - May 31, 2013.
Wien, Vienna Photo Book Festival 2013, June 1 - June 30, 2013.
Cardiff, International Festival of Photography Diffusion, 1 maggio - 31 maggio 2013.
Wien, Vienna Photo Book Festival 2013, 1 giugno - 30 giugno 2013.
English Text.
Milano, 2013; clothbound, pp. 80, 44 col. ill., cm 24,5x24,5.
ISBN: 88-572-1939-9 - EAN13: 9788857219394
Subject: Photography
Languages:
Weight: 0.7 kg
Less than 12 square miles in size, its unique landscape shelters a population centred on simple life-styles, self-reliance and art. Seeming to sit slightly out of time, its counter cultural atmosphere was somewhat shaped by the shared visions of its settlers during 1960s and 1970s. Despite challenges, these values remain compelling - as our contemporary economic crisis sits within an ecological disaster. Hornby's characteristic vernacular buildings still embody the wish to turn against rampant consumerism, pollution and political horror - towards handmade houses; food; clothing and contentment.
Land Ends was made during Melissa Moore's various self-styled long-term residencies on the island - exploring her own "feedback between art and nature". An enchantment by a particular landscape and its mythology is palpable in this sequence of distinctive works.
Through a performative practice Moore puts herself in the fundament of the ecologies she finds - nestling into both the island and its communal dreams.
Melissa Moore is a London based artist. She studied at the Manchester Metropolitan University then at the Royal College of Art, and is an Associate Lecturer at the University of the Arts London. She has exhibited and published internationally.
This new series has so far been shown in Singapore, Italy, Japan and Germany.










