Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
|
Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Melissa Moore. Land Ends
Skira
Cardiff, International Festival of Photography Diffusion, May 1 - May 31, 2013.
Wien, Vienna Photo Book Festival 2013, June 1 - June 30, 2013.
Cardiff, International Festival of Photography Diffusion, 1 maggio - 31 maggio 2013.
Wien, Vienna Photo Book Festival 2013, 1 giugno - 30 giugno 2013.
English Text.
Milano, 2013; clothbound, pp. 80, 44 col. ill., cm 24,5x24,5.
ISBN: 88-572-1939-9 - EAN13: 9788857219394
Subject: Photography
Languages:
Weight: 0.7 kg
Less than 12 square miles in size, its unique landscape shelters a population centred on simple life-styles, self-reliance and art. Seeming to sit slightly out of time, its counter cultural atmosphere was somewhat shaped by the shared visions of its settlers during 1960s and 1970s. Despite challenges, these values remain compelling - as our contemporary economic crisis sits within an ecological disaster. Hornby's characteristic vernacular buildings still embody the wish to turn against rampant consumerism, pollution and political horror - towards handmade houses; food; clothing and contentment.
Land Ends was made during Melissa Moore's various self-styled long-term residencies on the island - exploring her own "feedback between art and nature". An enchantment by a particular landscape and its mythology is palpable in this sequence of distinctive works.
Through a performative practice Moore puts herself in the fundament of the ecologies she finds - nestling into both the island and its communal dreams.
Melissa Moore is a London based artist. She studied at the Manchester Metropolitan University then at the Royal College of Art, and is an Associate Lecturer at the University of the Arts London. She has exhibited and published internationally.
This new series has so far been shown in Singapore, Italy, Japan and Germany.










