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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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The Mourners. Medieval Tomb Sculptures from the Court of Burgundy

Yale University Press

New York, The Metropolitan Museum of Art, March 2 - May 23, 2010.
English Text.
London, 2010; hardback, pp. 128, 175 col. ill., cm 21x29.

ISBN: 0-300-15517-4 - EAN13: 9780300155174

Subject: Sculpture

Period: 1000-1400 (XII-XIV) Middle Ages

Languages:  english text  

Weight: 0.98 kg


The renovation of the Musée des Beaux-Arts in Dijon provides an opportunity for the unprecedented loan of the alabaster mourner figures from the tomb of John the Fearless, Duke of Burgundy, and his wife, Margaret of Bavaria. Each of the statuettes is approximately sixteen inches high. They were carved by Jean de La Huerta and Antoine Le Moiturier between 1443-1456 for the ducal tomb originally in the church of Champmol, and they follow the precedent of the mourner figures carved by Claus Sluter and colleagues for the tomb of Duke Philip the Bold (1342-1404). The tombs are celebrated as among the most sumptuous and innovative of the late Middle Ages. The primary innovation was the space given to the figures of the grieving mourners on the base of the tomb, who seem to pass through the real arcades of a cloister.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci