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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Andrei Cristina, Ciarlo Nicola, Federici Fabrizio, Claudio Casini and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Sinfonie visive. Visual symphonies

Artestampa Edizioni

Italian and English Text.
Modena, 2023; paperback, pp. 128, ill., cm 21,5x21,5.

ISBN: 88-6462-997-1 - EAN13: 9788864629971

Languages:  english, italian text   english, italian text  

Weight: 0 kg


Leopoldo Bon is back with a new series of works in which he combines his scientific formation and his artistic eye in a continuous demonstration of how matter can be seen through the lens of science, as well as through a quintessentially artistic spirit. The pictorial trait in Bon’s shots never fails to amaze the observer. He uses the camera to interpret his subjects, rather than to reproduce them, mixing in a harmonious result all the experiences that have shaped his personality: pictorial art, photography, scientific research on the connection between eye and brain and the studies on human physiology. As in his previous collections, Bon transforms matter into unexpected shapes and hypnotic colours. This time however he has entitled his works to evoke different images: from metaphysics to the social sphere, from human interiority to nature, up to the multiplicity of everyday life. Bon’s eclecticism confirms itself as a means by which he establishes a dialogue between the many facets of the real and the surreal. The editor Carlo Bonacini

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