Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
cover price: € 33.00
|
Books included in the offer:
Italia Cinquanta moda e design. Nascita di uno stile
Gorizia, Palazzo Attems Petzenstein, March 21 - August 27, 2023.
Edited by Raffaella Sgubin, Carla Cerutti and Enrico Minio Capucci.
Cornuda, 2023; hardback, pp. 336, col. ill., cm 20x26.
FREE (cover price: € 33.00)
Parodie del design. Scritti critici e polemici
Torino, 2008; paperback, pp. 94, 8 b/w ill., cm 12,5x19,5.
FREE (cover price: € 12.00)
Moda e modi. Stile e costume in Italia 1900-1960
Arezzo, Basilica di San Francesco, March 24 - November 4, 2018.
Roma, 2018; paperback, pp. 96, col. ill., cm 21,5x21,5.
FREE (cover price: € 25.00)
Gli italiani e la moda. 1860-1960
Stra, Museo Nazionale di Villa Pisani, April 8 - November 1, 2017.
Edited by Alberto Manodori Sagredo.
Roma, 2017; paperback, pp. 94, b/w ill., cm 16x23.
FREE (cover price: € 15.00)
An Author in search of his place in time: Mercurius the Grammarian and his texts
Ioannis Polemis
Edizioni dell'Orso
English Text.
Alessandria, 2025; paperback, pp. 170, cm 17x24.
(Hellenica. 115).
series: Hellenica.
ISBN: 88-3613-628-1 - EAN13: 9788836136285
Subject: Magazines
Languages:
Weight: 0 kg
The manuscript that preserves these texts had been incorrectly dated to the 15th century, but its recent redating to the 12th century now allows us to place this enigmatic author in the 11th or 12th century. These poems of Mercurius are didactic by nature, much like many of the metrical works of Michael Psellus, which translate into verse handbooks of rhetoric, philosophy, and even liturgical texts for use in the instruction and practice of his students. Thus, these texts can offer us a glimpse into the attempts of certain Byzantine authors of the second half of the 11th or 12th century to recover a sense of polyphony within select prose models by reconfiguring them into a distinct, poetic discourse. The polyphonic constitution of these texts appears to significantly intensify their performative dynamics, insofar as they are reconfigured within the framework of classical metrical structures and concomitantly subjected to a markedly archaizing linguistic register










