Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Corpus Rubenianum Ludwig Burchard XXII.2. Rubens's House. Architecture and Sculpture
Frans Baudouin - Nora De Poorter
Harvey Miller Publishers
English Text.
London, 2022; 2 vols., bound, pp. 704, 199 b/w ill., 245 col. ill., cm 17,5x26.
(Corpus Rubenianum Ludwig Burchard. 32,2).
series: Corpus Rubenianum Ludwig Burchard
ISBN: 1-912554-64-X - EAN13: 9781912554645
Subject: Civil Architecture/Art,Graphic Arts (Prints, Drawings, Engravings, Miniatures),Sculpture
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 1 kg
Undoubtedly the house, which included the family's living quarters and contained Rubens's much admired art collection as well as his famous studio, was built according to the master's own ideas. It is thus part of Rubens's oeuvre and forms the subject of this catalogue raisonné. Regrettably almost nothing survives of Rubens's designs which certainly must have existed.
The present volume is the result of a quest to gather together and critically assess all authentic architectonic elements and written, pictorial and archaeological sources. This allows us to form an impression of the appearance of Rubens's unique house as well as the functions of its various parts. In addition, the sources which the pictor doctus Rubens used for inspiration in his design are discussed at length: architectural treatises, ancient art as well as the Renaissance architecture he had come to know during his stay in Italy.









