Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Chef Cristina Bowerman incontra Eugenio Tibaldi
Eugenio Tibaldi - Cristina Bowerman - Poponi Maria Paola
Maretti Editore
Texts by Cristina Bowerman, Maria Paola Poponi and Eugenio Tibaldi.
Foreword by Massimiliano Tonelli.
Ricette di Cristina Bowerman / Opere di Eugenio Tibaldi.
Italian and English Text.
Falciano, 2019; hardback, pp. 224, b/w and col. ill., cm 24x32.
ISBN: 88-9397-019-8 - EAN13: 9788893970198
Languages:
Weight: 1.51 kg
[...] As I said in the introductory remarks, art and food are creative fields that have been overlapping for years now, and upon which much experimentation has been made. Usually with an annoying triviality, almost redundantly and even to the detriment of both sides. However, superficiality can be passable and tolerable when applied to the ephemeral dimension of an event, but certainly not when you take up the challenge of a publication called to stand the test of time in bookstores, libraries, homes, ateliers, and restaurants. In that case, one needs to go deeper, not only by addressing the professional ties between the two protagonists, but also the fruitful relationship between art and food in general, inquiring on why theirs are stories and approaches that deserve to be told together, even in the same book










