La collezione dei bronzi del Museo Civico Medievale di Bologna
San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.
cover price: € 150.00
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Books included in the offer:
La collezione dei bronzi del Museo Civico Medievale di Bologna
San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.
FREE (cover price: € 150.00)
Petrosa. Un insediamento dell'età del bronzo a Sesto Fiorentino
Vinci, 1994; paperback, pp. 114, 29 b/w ill., 16 col. ill., cm 17x24.
FREE (cover price: € 15.49)
Bronzi e Pietre Dure nelle Incisioni di Valerio Belli Vicentino
Edited by Tubi Ravalli C.
Ferrara, 2004; bound, pp. 215, b/w and col. ill., cm 26x31.
FREE (cover price: € 100.00)
L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale
Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).
FREE (cover price: € 44.00)
Joos van Craesbeeck (ca. 1606 - ca. 1660). Een Brabants genreschilder
De Clippel Karolien
Brepols Publishers
Turnhout, 2006; 2 vols., hardback, pp. 600, 200 b/w ill., cm 19x25.
(Pictura Nova XI).
series: Pictura Nova XI
ISBN: 2-503-51567-3 - EAN13: 9782503515670
Subject: Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 2.22 kg
This book is the first monograph that deals exclusively with this fascinating and non-conformist Brabantine genre painter. The catalogue raisonné forms the core of this study which -- for the first time -- assembles and describes at length Van Craesbeeck's paintings. The preceding essay is composed of three chapters. After the chronicle of Van Craesbeeck's fortunes focussing on the socio-economic and cultural background of the painter as well as his social status, the attention shifts from the second chapter onwards onto his work. In an attempt to reconstruct contemporary expectations, chapter 2 maps out genre-specific and decorum-related qualities of the comical paintings. Finally, a chronological outline is presented which positions Van Craesbeeck's undated oeuvre within contemporary Netherlandish painting.