Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Lakes & Reservoirs Series. Collector's Editions
Brandt Matthew
Damiani
Collector's Edition of 17 unique copies.
Italian and English Text.
Bologna, 2014; hardback, pp. 176, 120 b/w and col. ill.
ISBN: 88-6208-375-0 - EAN13: 9788862083751
Subject: Painting
Languages:
Weight: 0.93 kg
Each of the 17 prints in the Lakes & Reservoirs Series is titled Container, plus its unique number. All prints are matted. The book and print are housed in a hard box, labeled with the print number,to ensure safe worldwide delivery.
Details: - technique: C-Print - print size: 11 1/8 x 13 7/8 in - matt size: 14 1?2 x 17 1?2 in
To request the availability of your preferred print from the Lakes & Reservoirs Series, please click on the button "Request availability". If available, Damiani will provide you with information on reserving and purchasing the print of your choice.
Orders for the Lakes & Reservoirs Series will be fulfilled after 25 August 2014.
Matthew Brandt creates his work using physical elements from the depicted subject. Inspired by landscape photography of the American West and alternative photograph processes developed during photography's infancy in the mid-nineteenth century-the artist revives traditional photographic techniques through various production processes. Whether soaking prints in water from the depicted lake, printing on paper made from the subject tree, or even using a pigment created from the subject, Brandt blurs the line between the photograph and the photographed.









