Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Collecting Textiles. Patrons Collections Museums
Umberto Allemandi
English Text.
Torino, 2013; paperback, pp. 200, b/w and col. ill., tavv., cm 17x24.
ISBN: 88-422-2234-8 - EAN13: 9788842222347
Subject: Textiles (Tapestries, Carpets, Embroyderies)
Languages:
Weight: 0.65 kg
This particular way of collecting is explained through three key themes: the figure of the collector (Annette Schiek's Deutsche Textilmuseum Krefeld, Aurélie Samuel Musée Guimet of Paris, Maria Paola Ruffino's Civic Museum of Ancient Art in Turin and Seth Siegelaub, founder of Stichting Egress Foundation), the identity of the collections and the birth of the textile museums (Angela Völker the MAK in Vienna, Jacqueline Jacqué the Musée de l'Impression sur Etoffes Mulhouse, Eulalia Morral of the Centre de Romeu Documentaciò the Museu Tèxtil Terrasa and Filippo Guarini of the Textile Museum of Prato), and finally the complex problem of exposure of textiles (Magdalena Droste, a student of the Bauhaus textiles Sonnet Stanfill and the Victoria & Albert Museum in London).










