Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
cover price: € 80.00
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Books included in the offer:
Beato Angelico
Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.
FREE (cover price: € 80.00)
Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento
Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.
FREE (cover price: € 77.00)
Segni dell'Eucarestia
Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.
FREE (cover price: € 32.00)
A Corpus of Rembrandt Paintings. V. The Small-Scale History Paintings
Springer Verlag GmbH
English Text.
Heidelberg, 2011; hardback, pp. 674, 700 b/w and col. ill., cm 24,5x34,5.
ISBN: 1-4020-4607-3 - EAN13: 9781402046070
Subject: Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 4.59 kg
The fourth volume (Springer 2005) was dedicated to Rembrandt's self portraits. This fifth volume is about the small-scale history and genre paintings. The so-called 'histories' (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt's time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt's own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt's own work with that of his pupils has furthermore provided a detailed access to Rembrandt's own criteria regarding artistic quality.









