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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

In Vested Interests. From Passion to Patronage. The AbdulMagid Breish Collection of Arab Art.

Skira

English Text.
Milano, 2020; hardback, pp. 320, col. ill., cm 25x28.

ISBN: 88-572-4267-6 - EAN13: 9788857242675

Subject: Collections,Painting

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 0.79 kg


The Breish Collection of Modern and Contemporary Arab Art is a catalogue charting the art investment strategy of prominent Libyan banker AbdulMagid Breish.

AbdulMagid Breish describes journey and how he became an art collector, as well as his passionate belief that any collector bears a cultural responsibility to support his regional and local art scene: in his case, the Arab world and Libya in particular.

Breish also offers a frank assessment of the pitfalls of investing in art from a part of the world where provenance issues can often arise, yet he describes how building connections within the artworld can mitigate this. From auction houses to galleries, to the artists themselves, he is especially keen on fostering relationships to increase personal involvement. In his case, his friendship with various artists has led to commissioning artworks directly and inspiring artistic practice indirectly.

Breish's approach is novel, yet it provides young collectors with an alternative strategy for collecting and offers advice for what to look out for and avoid, as well as how to progress within the stages of collecting to become a full-fledged patron of the arts.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci