Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Maurice Marinot. The Glass 1911-1934
Skira
Edited by Jean-Luc Olivié, Cristina Beltrami.
English Text.
Milano, 2019; bound, pp. 224, col. ill., cm 23x30.
ISBN: 88-572-4047-9 - EAN13: 9788857240473
Subject: Glass
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Languages:
Weight: 1.5 kg
Initially a member of the fauves, in 1911 Marinot visited the glassworks of the Viard brothers at Bar-sur-Seine, a catalytic moment that led to an all-encompassing passion for glass. Marinot quickly began designing bowls, vases and bottles, which his friends would produce for him to paint, using enamels.
By 1913 critics were praising his work: "It has been a long time since an innovation of such great importance has come to enrich the art of glass," wrote Leon Rosenthal. From that year Marinot ceased exhibiting his paintings and learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf and colored glass. This book reveals his accomplishment for a wider audience.










