Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
cover price: € n.d.
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Books included in the offer:
Boldini e la Moda.
Ferrara, Palazzo dei Diamanti, February 16 - June 2, 2019.
Edited by Barbara Guidi and Guidi B.
Translation by Archer M.
Contributions by Virginia Hill.
Ferrara, 2019; bound, pp. 296, b/w and col. ill., cm 24x28.
FREE (cover price: € n.d.)
Le nuove boutique. Moda e design
Translation by Barcatta L.
Viareggio, 2005; bound, pp. 189, col. ill., col. plates, cm 24,5x29.
FREE (cover price: € 43.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Miss Bell. Un dipinto di Giovanni Boldini nel Museo delle raccolte Frugone di Genova
Edited by Giubilei M. F. and Maione S.
Illustrations by Scuderi L.
Montecatini Terme, 2007; paperback, pp. 40, ill., cm 15x21.
(Sogno Intorno all'Opera. 8).
FREE (cover price: € 6.00)
Alta Moda, Grande Teatro
Torino, Venaria Reale, March 29 - September 14, 2014.
Edited by Capella M.
Torino, 2014; bound, pp. 184, b/w and col. ill., tavv., cm 17,5x25.
FREE (cover price: € 22.00)
Fredrikson Stallard. Works.
Skira
Italian and English Text.
Milano, 2019; hardback, pp. 349, 266 col. ill., cm 24x30.
ISBN: 88-572-3522-X - EAN13: 9788857235226
Subject: Monographs (Sculpture and Decorative Arts)
Period: 1960- Contemporary Period
Places: Out of Europe
Languages:
Weight: 2.48 kg
Since 1995, Swedish British design duo Patrik Fredrikson (born 1968) and Ian Stallard (born 1973), working together as Fredrikson Stallard, have created works that expand the concept of furniture design. This monograph documents their stunning pieces, from crystalline dining tables and end tables that resemble permanent glaciers to sofas that in their texture and form resemble verdant mountains and valleys, from high-tech 3D-modeled chairs to logs strapped together by an industrial plastic strap to compose a table.
Fredrikson Stallard make no claims on the modernist high ground, where objects are conceived as optimal solutions and end points of rigorous analysis.
The work of Fredrikson Stallard is held in the collection of the Victoria and Albert Museum, and has been exhibited worldwide, including at the Museum of Modern Art, New York.











