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DEAL OF THE DAY

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Presentazione di Erich Schleier.
San Casciano V.P., 2013; paperback, cm 21x28.

cover price: € 77.00

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Total price: € 77.00 € 127.00 add to cart carrello

Books included in the offer:

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Presentazione di Erich Schleier.
San Casciano V.P., 2013; paperback, cm 21x28.

FREE (cover price: € 77.00)

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica

Milano, 1992; bound, pp. 471, col. ill., col. plates, cm 33x30,5.

FREE (cover price: € 50.00)

Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica

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The young Van Dyck

Museo del Prado

Madrid, Museo Nacional del Prado, 20 november 2012 - 3 march 2013.
English Text.
Madrid, 2012; paperback, pp. 416, col. ill., cm 24x30.

ISBN: 84-8480-255-8 - EAN13: 9788484802556

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english text  

Weight: 2.4 kg


By the age of just twenty-two, Anthony Van Dyck (1599-1641) had produced over 160 paintings, many of them ambitious compositions of remarkable quality. This book offers an in-depth study of the artist's early career, spanning the eight years between 1613, when the artist was just fourteen, to his departure for Italy from Antwerp in October 1621. Were the paintings he created during these years his only legacy, he would still be recognized as one of the greatest artists of the 17th century. Van Dyck's precocious talents are brilliantly demonstrated in the many important works reproduced here, among them such strikingly original masterpieces as The Taking of Christ and Saint Jerome in the Desert. Others - Christ's Entry into Jerusalem and The Lamentation, for example - reveal Van Dyck at his most experimental, in search of new ways of increasing the visual impact of his compositions. Van Dyck was also one of the first painters to rise to the challenge of his Rubens' omnipresent influence, evident in works such as The Crowning with Thorns.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci