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DEAL OF THE DAY

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

cover price: € 48.00

De Nittis e la rivoluzione dello sguardo.

Total price: € 48.00 € 120.00 add to cart carrello

Books included in the offer:

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

FREE (cover price: € 48.00)

De Nittis e la rivoluzione dello sguardo.

De Nittis. Peppino e il ventaglio magico

Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).

FREE (cover price: € 14.00)

De Nittis. Peppino e il ventaglio magico

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Firenze capitale (1865-2015). I doni e le collezioni del Re

Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.

FREE (cover price: € 30.00)

Firenze capitale (1865-2015). I doni e le collezioni del Re

chiudi

Theatrum orbis MMXVII

Marsilio

Edited by G. Barbieri, Burini S. and Mikhailovsky S.
Venezia, 2017; paperback, pp. 208, cm 22x28.

ISBN: 88-317-2809-1 - EAN13: 9788831728096

Languages:  italian text  

Weight: 0.37 kg


Theatrum Orbis Terrarum, better known as Theatrum Orbis, is the name of a famous atlas that was published by Abraham Ortelius in Antwerp in 1570. The world was then represented by a theater, which in those days didn't refer just to a stage.
It is in the same spirit, i.e. the assembly and comparison of different and at first sight contrasting experiences, that these artists have been chosen to represent the Russian Federation at the 2017 Venice Biennale.
Grisha Bruskin, Recycle Group, Sasha Pirogova and Dmitri Kurlyandski belong to different generations, have different backgrounds and take different approaches to art. But together they reflect at present a picture of Russian contemporary art made up of a myriad facets and details.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci