Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Gericault. Image of Life and Death
Hirmer Verlag
Frankfurt, Schirn Gallery, October 18, 2013 - January 26, 2014.
Frankfurt, Schirn Gallery, 18 ottobre 2013 - 26 gennaio 2014.
Editeb by Gregor Wedekind.
English Text.
München, 2013; hardback, pp. 224, 260 b/w and col. ill., 260 b/w and col. plates, cm 24x28.
ISBN: 3-7774-2068-9 - EAN13: 9783777420684
Subject: Monographs (Painting and Drawing)
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 1.27 kg
Hundreds of Géricault's paintings, reproduced in stunning colour reproductions, show how his emphasis on the suffering inherent in modern existence represented a completely new way of depicting life. Marrying the Romantics' fascination with horror and the unsentimental perspective of science with his images of madness and death, Géricault played a key role in the deliberate visualisation of the modern, existentially isolated, individual. When placed in context with his contemporaries, such as Goya, Fuseli and Adolph Menzel, Géricault's work upends the traditional opposition of realism and Romanticism, presenting them as interrelated, sharing approaches.










