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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Alex Katz

Hirmer Verlag

Mönchsberg, MdM Salzburg, March 9 - July 7, 2013.
English and German Text.
München, 2013; paperback, pp. 240, 15 b/w ill., 128 col. ill., cm 23,5x28.

ISBN: 3-7774-2064-6 - EAN13: 9783777420646

Subject: Monographs (Painting and Drawing)

Period: 1960- Contemporary Period

Languages:  english, deutsch text   english, deutsch text  

Weight: 1.5 kg


For decades, painter Alex Katz has split his time between New York and Maine, and the two very different locales have left their marks on his work. This collection, drawing on the large collection of Katz's paintings held by the Colby College Museum of Art, is the first to highlight the distinctions between the works created in each place.
After attending the Skowhegan School of Painting and Sculpture in Maine in 1949, Katz bought a studio in the rural town of Lincolnville, Maine in 1954 and began to spend his summers there. The effect on his work was immediately apparent. While he continued to produce striking New York cityscapes, he also began to paint the quieter landscape he saw in Maine. The elegance of New York interiors, meanwhile, gave way in the Maine months to paintings of outdoor leisure activities. And close-up portraits of urban faces-of which Katz was a master-were replaced with "portraits" of memorable trees, thickets against late-evening light, and flower-strewn meadows.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci