Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
cover price: € 160.00
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Books included in the offer:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
FREE (cover price: € 160.00)
Le botteghe del marmo
Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).
FREE (cover price: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).
FREE (cover price: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.
FREE (cover price: € 90.00)
Alex Katz
Hirmer Verlag
Mönchsberg, MdM Salzburg, March 9 - July 7, 2013.
English and German Text.
München, 2013; paperback, pp. 240, 15 b/w ill., 128 col. ill., cm 23,5x28.
ISBN: 3-7774-2064-6 - EAN13: 9783777420646
Subject: Monographs (Painting and Drawing)
Period: 1960- Contemporary Period
Languages:
Weight: 1.5 kg
After attending the Skowhegan School of Painting and Sculpture in Maine in 1949, Katz bought a studio in the rural town of Lincolnville, Maine in 1954 and began to spend his summers there. The effect on his work was immediately apparent. While he continued to produce striking New York cityscapes, he also began to paint the quieter landscape he saw in Maine. The elegance of New York interiors, meanwhile, gave way in the Maine months to paintings of outdoor leisure activities. And close-up portraits of urban faces-of which Katz was a master-were replaced with "portraits" of memorable trees, thickets against late-evening light, and flower-strewn meadows.










