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DEAL OF THE DAY

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

cover price: € 35.00

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Total price: € 35.00 € 102.00 add to cart carrello

Books included in the offer:

Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.

FREE (cover price: € 35.00)

Il ritratto equestre  di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens

Valerio Castello.

Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).

FREE (cover price: € 45.00)

Valerio Castello.

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.

FREE (cover price: € 22.00)

L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola

chiudi

Ernst Wilhelm Nay. Das polyphone Bild Gouachen, Aquarelle, Zeichnungen

Hatje Cantz

Kunstmuseum Bonn, September 20, 2012-February 3, 2013.
German Text.
Ostfildern, 2012; hardback, pp. 160, 110 col. ill., cm 24x28.

ISBN: 3-7757-3433-3 - EAN13: 9783775734332

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  deutsch text  

Weight: 1.05 kg


More than one hundred major works on paper by the artist known for his colors



Ernst Wilhelm Nay (1902-1968) used color as the theme of his art. It was the means and the goal of his work, not only in his paintings but also in most of the gouaches, watercolors, and drawings. This publication presents a good 110 works on paper, reflecting the development of the artist throughout his career. From the 1937 images of Lofoten, with their intense depictions of nature, to the postwar Hecate pictures, which still contain figurative elements, the energy of the colors can be seen as they continue to unfold ever more freely in the subsequent Fugal paintings. In 1955 the disc became his predominant visual motif, and Nay guided the colors to create peaceful harmonies. In 1963 he began crossing out the discs, almost automatically forming the shape of an eye, and in his final paintings he pared back the intensified drama of the eye pictures, reducing the colors to an ornamental juxtaposition of planes.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci