Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens
Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.
cover price: € 35.00
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Books included in the offer:
Il ritratto equestre di giovan carlo doria e palazzo spinola di pellicceria al tempo di rubens
Edited by Zanelli Gianluca.
Genova, 2023; paperback, pp. 240, b/w and col. ill., cm 17x24.
FREE (cover price: € 35.00)
Valerio Castello.
Torino, 2008; bound, pp. 301, b/w ill., 28 col. plates, cm 21,5x31.
(Archivi di Arte Antica).
FREE (cover price: € 45.00)
L'Eredità Donata. Franco e Paolo Spinola e la Galleria di Palazzo Spinola
Genova, Palazzo Spinola, February 5 - May 24, 2009.
Genova, GALLERIA NAZIONALE DI PALAZZO SPINOLA, February 6 - May 24, 2009.
Edited by Simonetti F.
Torino, 2009; paperback, pp. 149, b/w and col. ill., tavv., cm 17x22.
FREE (cover price: € 22.00)
Louise Lawler And Others
Hatje Cantz
Museum für Gegenwartskunst Basel, May 15 - August 29, 2004.
English and German Text.
Ostfildern, 2004; clothbound, pp. 160, ill., cm 16x24.
Other editions available: German Edition (ISBN: 3-7757-1464-2).
ISBN: 3-7757-1420-0 - EAN13: 9783775714204
Subject: Photography
Period: 1960- Contemporary Period
Languages:
Weight: 0.98 kg
The book offers the first retrospective overview of the artistic accomplishments of American conceptual artist Louise Lawler during the past twenty years. It also presents a number of very recent works. Lawler (born 1947 in Bronxville, New York) subjects the concept of art to critical analysis by photographing drawings, paintings, and sculptures and incorporating aspects of their immediate surroundings into these "copies." Viewed with a certain detachment, her demystified reproductions also reveal the contextual and situational connotations of the artworks, which recede to a certain extent into the background. In her own exhibitions Lawler restages and reflects on these institutionalizations and questions connotational shifts brought on by art industry. In the process, she makes it clear that the presentation - and thus the interpretation - of art can never be free of value judgments.
Baia grande. La pialassa Baiona ultima frontiera per una valle salmastra









