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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Medioevo letterario d'Italia. Rivista internazionale di filologia, linguistica e letteratura. An International Journal of Philology, Linguistics and Literature. 4. 2007

Fabrizio Serra Editore

Italian and English Text.
Pisa, 2007; paperback, pp. 160, cm 17x24.
(Medioevo letterario d'Italia. Rivista internazionale di filologia, linguistica e letteratura. Diretta da Sandro Orlando, 4. 2007).

series: Medioevo letterario d'Italia. 0004.

Other editions available: ISSN 1724-9090.

Period: 1000-1400 (XII-XIV) Middle Ages

Languages:  english, italian text   english, italian text  

Weight: 0.52 kg


"Medioevo letterario d'Italia" aims at encouraging the reader to look at the cultural scenario of the first few centuries of our literature from a new perspective: the one founded on studies of Roman philology and history of Italian language. The use of an apparently connoted specification as "d'Italia" hints at the opportunity of avoiding to confine the field of observation and action to 'national' literature only (i. e. the vernaculars of the si), but to extend it to what, regarding the production and dissemination of texts, has still had, although in different idioms, a direct relationship with medieval Italy, its culture, its traditions: the poems of the Italian-born troubadours, what was written in the language d'oil, the so-called Franco-Venetian epic poetry, the Latin literature. This is also a historical and chronological scenario, that encloses above all the XIII and the XIV centuries, extending when required to its farthest origins and the fifteenth century.

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