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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

chiudi

Ancient science and technology of colour. Pigments, dyes, drugs and their experience in antiquity. Part I and Part II,

Fabrizio Serra Editore

Edited by Matteo Martelli and Maria Michela Sassi.
English Text.
Pisa, 2024; 2 vols., paperback, pp. 384, cm 17x24.
(Technai. Fascicoli Monografici. 13/14. 2022/2023).

series: Technai. Fascicoli Monografici. 00013/14. 2022/2023

ISBN: 88-3315-525-0 - EAN13: 9788833155258

Subject: Essays (Art or Architecture)

Languages:  english text  

Weight: 0 kg


This double special issue does consist of twelve papers plus Introduction delivered at the conference Ancient science and technology of colour. Pigments, dyes, drugs and their perception in antiquity, that took place in Pisa on 28-29 April 2022. On that occasion, historians of ancient science and technology, archaeologists, and historians of ancient art met in a joint, wide-ranging exploration of the production methods, uses, and conceptualisations of colour substances in the Graeco-Roman world as well as in the ancient Near East. In the two issues dedicated to the meeting are presented the results produced by strongly multi-disciplinary studies, that requested the investigation of a variety of sources, from ancient scientific and technical literature to archaeological data and results of chemical analysis. In fact, both textual and archaeological records testify to the array of techniques and procedures devised by generations of Babylonian, Egyptian, Greek and Roman metalworkers, dyers, glassmakers, painters, who were all called technitai (namely, 'artisans') in the Graeco-Roman world.

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