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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Caravaggio nel IV centenario della Cappella Contarelli

CAM Editrice

Atti del Convegno internazionale di Studi, Roma, May 24 - May 26, 2001.
Atti del Convegno internazionale di Studi., Roma, May 24 - May 26, 2001.
Coordinamento di Maurizio Calvesi e Caterina Volpi.
Roma, 2002; clothbound, pp. 344, numbered b/w and col. ill., cm 21x28,5.

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Places: No Place

Extra: Baroque & Rococo

Languages:  italian text  

Weight: 1.84 kg


The French cardinal Mathieu Cointrel (in Italian Matteo Contarelli) had left money in his will for the decoration of a chapel in the church of the French in Rome, San Luigi dei Francesi. The vaults had already been decorated in fresco by Caravaggio's former master, the Cavalier d'Arpino, and this artist was also meant to make frescoes on the sidewalls. He however was too busy, and the commission through the intervention of Del Monte was given to Caravaggio who ventured to make two large canvases instead of frescoes. There were detailed descriptions of the motifs, both referring to the legends of Cointrel's name-saint St. Matthew the evangelist. One was to depict the calling of Matthew, (Matthew 9.9), the other the martyrdom of Matthew, when he according to legend was slain in front of the altar.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci