De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Leonardo Da Vinci and Giacomo Caprotti Called Salaì. The Enigma of a Painting
Zecchini Maurizio
Marsilio
Italian and English Text.
Venezia, 2099; hardback, pp. 258, 179 col. ill., cm 21x27.
Other editions available: Edizione italiana 88-317-2610-2 French edition 88-317-2566-1
ISBN: 88-317-2611-0 - EAN13: 9788831726115
Subject: Monographs (Painting and Drawing)
Period: 1400-1800 (XV-XVIII) Renaissance
Languages:
Weight: 1.02 kg
"Salaï" is the name that Leonardo da Vinci liked to use, as is documented in his writings from 1494 onward, for the boy whom he had taken into his home four years earlier, when he was just ten years old, and who lived with him for almost a quarter of a century: first as a shop boy and then as his assistant and model, as well as becoming, according to what the sources tell us, his pupil and companion in life. In reality we know very little about him, except for this work which is being presented to the general public for the first time today. The only one in which his name is indicated with precision. A document that could therefore throw some light on a figure still shrouded in mystery and add an important element to the history of art. The author of the volume, Maurizio Zecchini, offers a moving and gripping historical account, as well as presenting, with the assistance of a team of experts, the results of the numerous analyses carried out during the restoration of the work.










