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DEAL OF THE DAY

Telemaco Signorini. Catalogo Generale Ragionato delle Opere

Pistoia, 2019; bound, pp. 810, 1500 b/w and col. ill., cm 21,5x29,5.

cover price: € 240.00

Telemaco Signorini. Catalogo Generale Ragionato delle Opere

Total price: € 240.00 € 740.00 add to cart carrello

Books included in the offer:

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Torino, 2006; 2 vols., bound in a case, pp. 576, 862 b/w ill., 117 col. plates, cm 25x34.
(Varia).

FREE (cover price: € 250.00)

Il Pittore Luigi Nono (1850-1918). Catalogo Ragionato dei Dipinti e dei Disegni. La Vita, i Documenti, le Opere

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

Torino, 2006; 2 vols., bound in a case, pp. 608, b/w ill., 125 col. ill., 125 col. plates, cm 25x35.
(Archivi dell'Ottocento).

FREE (cover price: € 250.00)

Cavaglieri. Catalogo Ragionato dei Dipinti: la Vita e le Opere. Catalogo delle Opere

chiudi

Beholding Violence in Medieval and Early Modern Europe

Ashgate Publishing Limited

Aldershot, 2012; hardback, pp. 250, ill., cm 17x24.

ISBN: 1-4094-4286-1 - EAN13: 9781409442868

Subject: Historical Essays

Period: 1000-1400 (XII-XIV) Middle Ages,1400-1800 (XV-XVIII) Renaissance

Places: Europe

Languages:  italian text  

Weight: 0.93 kg


Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy, Allie Terry-Fritsch; Giovanni Pisano's marble wounds: beholding artistic self-defense in the Pisa cathedral pulpit, Matthew G. Shoaf; Beholding and touching: early modern strategies of negotiating illness, Mirella G. Pardee; The gap of death: passive violence in the encounter between the Three Dead and the Three Living, Elina Gertsman; Being beheld: Julian of Norwich's mystical surreal and the violence of vision, Christopher Taylor; Image in pain: icons, old bones and new blood, Galina Tirnanic; 'To have the pleasure of this siege': envisioning siege warfare during the European wars of religion, Brian Sandberg; Theatrum mundi: performativity, violence and metatheatre in Webster's The White Devil, Lisa Dickson; Portia's Pauline perversion: The Merchant of Venice and Romans I, Weill Stockton; Violent passions: plays, pawnbrokers, and the Jews of Rome, 1539, Barbara Wisch; Beholding typology: the violence of recognition in Caravaggio's Sacrifice of Isaac, Erin Felicia Labbie; Bibliography

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci