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DEAL OF THE DAY

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

cover price: € n.d.

L'ora dello spettatore. Come le immagini ci usano.

Total price: € 40.00 € 144.00 add to cart carrello

Books included in the offer:

L'ora dello spettatore. Come le immagini ci usano.

Edited by M. Di Monte and Gennari Santori F.
Roma, 2020; paperback, pp. 264, col. ill., cm 21x27.

FREE (cover price: € n.d.)

L'ora dello spettatore. Come le immagini ci usano.

Caravaggio. La Bottega del Genio

Roma, Museo Nazionale del Palazzo di Venezia - Sale Quattrocentesche, December 22, 2010 - May 29, 2011.
Edited by Falucci C.
Roma, 2010; paperback, pp. 118, b/w and col. ill., tavv., cm 24x28.
(Cataloghi Mostre. 49).

FREE (cover price: € 48.00)

Caravaggio. La Bottega del Genio

Caravaggio. La Cappella Contarelli

Roma, Palazzo Venezia, March 10 - October 15, 2011.
Edited by M. Cardinali and De Ruggieri M. B.
Roma, 2011; paperback, pp. 150, 60 b/w ill., 60 col. ill., 60 b/w plates, col. plates, cm 24x28.
(Cataloghi Mostre. 50).

FREE (cover price: € 56.00)

Caravaggio. La Cappella Contarelli

chiudi

Chisinau. Architectural Guide

DOM Publishers

With additional contributions by Vlada Ciobanu, Irina Dubinschi, Anastasia Felcher, and Vitalie Spranceana.
English Text.
Berlin, 2023; paperback, pp. 288, 400 col. ill., cm 13,5x24,5.

ISBN: 3-86922-548-3 - EAN13: 9783869225487

Subject: Civil Architecture/Art

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1 kg


Chisinau, today the capital and largest city of the Republic of Moldova, has undergone tumultuous changes under the successive political regimes that marked the twentieth century. Once part of the territory seized by the Russian Empire, it was integrated into the Romanian Kingdom during the interwar period, before being annexed by the USSR, like all of Bessarabia, and radically transformed into a socialist city.
This guide focuses on the latter period. The distinct urbanistic and architectural tendencies after the Second World War are reflected in the five segments of the book: the Stalinist Empire, Soviet Modernism, Postmodernism, Soviet Brutalism, and the Industrial City. Each reflects the essential Soviet mandate to build not only a new city, but also a new society.
In addition to photographic documentation and critical analysis of socialist architecture, the guide also includes essays on Chisinau’s development between 1945 and 1989, devoted among other things to the city’s cinemas and life in ‘microraions’.

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