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DEAL OF THE DAY

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Presentazione di Erich Schleier.
San Casciano V.P., 2013; paperback, cm 21x28.

cover price: € 77.00

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Total price: € 77.00 € 127.00 add to cart carrello

Books included in the offer:

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Presentazione di Erich Schleier.
San Casciano V.P., 2013; paperback, cm 21x28.

FREE (cover price: € 77.00)

Giuseppe Puglia il Bastaro. Il naturalismo classicizzato nella Roma di Urbano VIII

Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica

Milano, 1992; bound, pp. 471, col. ill., col. plates, cm 33x30,5.

FREE (cover price: € 50.00)

Pinacoteca Vaticana. Nella pittura l'espressione del messaggio divino, nella luce la radice della creazione pittorica

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Early Netherlandish Painting in Budapest. Old Masters' Gallery Catalogues Szépmvészeti Múzeum Budapest Vol. II

Early Netherlandish Painting in Budapest. Old Masters' Gallery Catalogues Szépmvészeti Múzeum Budapest Vol. II

Harvey Miller Publishers

English Text.
London, 2015; clothbound, pp. 332, 115 b/w ill., 174 col. ill., cm 21x29.
(Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands (HMDC 1.2)).

series: Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands (HMDC 1.2)

ISBN: 1-909400-29-7 - EAN13: 9781909400290

Subject: Painting

Period: 1000-1400 (XII-XIV) Middle Ages

Languages: english text  

Weight: 1.72 kg


This is the first volume of a series of scholarly catalogues on Flemish paintings from the Szépm?vészeti Múzeum in Budapest. ?Written by Dr Susan Urbach - emeritus curator of the museum and renowned scholar of Northern Renaissance Art - with the assistance of curator Ágota Varga and picture-conservator András Fáy, the catalogue includes extensive entries and bibliographical references on 49 works dating from c. 1460 to c. 1540. The volume covers about a third of the entire collection of Flemish Painting from the 15th century through to the 17th and includes the latest results of scholarly research and technical analysis.

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