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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Henry Moore. Plasters

Henry Moore. Plasters

Royal Academy of Arts

London, 2011; hardback, pp. 160, 160 b/w and col. ill., cm 25x29.

ISBN: 1-907533-11-7 - EAN13: 9781907533112

Subject: Monographs (Sculpture and Decorative Arts)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages: italian text  

Weight: 1.17 kg


This is the first book on Moore's works in plaster, which until recently have been regarded as preparatory works rather than finished sculptures. But in fact the scarred surfaces of the plasters convey a sense of immediacy and a complexity of texture that is largely absent from highly finished works in bronze and marble. Acutely aware of the aesthetic changes that occurred in his sculptures once he cast them, Moore made a number in plaster only. This reappraisal of the significance of these beguiling creations-illustrated with plasters of all sizes from three decades of work-uncovers a little-known aspect of Moore's incomparable oeuvre.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci

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