DEAL OF THE DAY

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.

cover price: € 150.00

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Total price: € 150.00 € 358.00

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Books included in the offer:

Gio. Benedetto Castiglione Genovese. Il Grechetto a Roma. Committenza e opere

Edited by Orlando Anna and Francesco Rotatori.
Genova, 2023; paperback, pp. 304, col. ill., cm 23x29.

FREE (cover price: € 150.00)

Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli

Edited by Emanuele Barletti.
Photographs by BACHerin Paolo and Saverio De Meo.
Prima edizione 2011.
Firenze, 2011; bound, pp. 844, b/w and col. ill., tavv., cm 24x28,5.

FREE (cover price: € 98.00)

Giovan Antonio Dosio Da San Gimignano Architetto e Scultor Fiorentino tra Roma, Firenze e Napoli

Vincenzo Meucci

Co-Editore: Cassa di Risparmio di Firenze.
Firenze, 2015; hardback, pp. 304, col. ill., cm 25x29,5.
(Arte).

FREE (cover price: € 50.00)

Gherardo Bosio. Opera Completa 1927-1941

Firenze, 2016; paperback, pp. 368, b/w and col. ill., cm 23x28.
(Architetti del Novecento. Storia e archivi).

FREE (cover price: € 60.00)

Gherardo Bosio. Opera Completa 1927-1941

Henry Moore. Plasters

Richard Calvocoressi - Feldman Anita - Woodward Malcolm

Royal Academy of Arts

London, 2011; hardback, pp. 160, 160 b/w and col. ill., cm 25x29.

ISBN: 1-907533-11-7 - EAN13: 9781907533112

Subject: Monographs (Sculpture and Decorative Arts)

Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period

Languages: italian text

Weight: 1.17 kg

This is the first book on Moore's works in plaster, which until recently have been regarded as preparatory works rather than finished sculptures. But in fact the scarred surfaces of the plasters convey a sense of immediacy and a complexity of texture that is largely absent from highly finished works in bronze and marble. Acutely aware of the aesthetic changes that occurred in his sculptures once he cast them, Moore made a number in plaster only. This reappraisal of the significance of these beguiling creations-illustrated with plasters of all sizes from three decades of work-uncovers a little-known aspect of Moore's incomparable oeuvre.

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