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DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 456, 300 col. ill., cm 24x29.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Degas and the Ballet. Picturing Movement

Royal Academy of Arts

London, Royal Academy of Arts, 17 September - 18 December 2011.
English Text.
London, 2011; clothbound, pp. 278, 250 b/w and col. ill., 250 b/w and col. plates, cm 24x28.

ISBN: 1-905711-68-9 - EAN13: 9781905711680

Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 1.71 kg


Edgar Degas is best known for his luminous studies of dancers. He captured his young female subjects warming up, practicing at the bar, or mid-performance with a stunning immediacy and accuracy, on canvas, paper, and in bronze. Although Degas did not consider himself part of the Impressionist movement, he is often viewed in that context. This sumptuously illustrated book offers a new framework, establishing Degas as a thoroughly modern artist who was engaged with and influenced by the then-new mediums of photography and film. Using drawings, pastels, paintings, prints, sculpture, photographs taken by the artist and his contemporaries, and samples of film from the period, renowned Degas scholars Richard Kendall and Jill DeVonyar examine the artist's innovative approach to the subject, from his documentary mode of the early 1870s to the sensuous and expressive manner of his late work.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci