Current directions in eleventh- and twelfth-century sculpture studies

Robert A. Maxwell and Kirk Ambrose, Introduction: Romanesque Sculpture Studies at a Crossroads - Jérôme Baschet, Iconography beyond Iconography: Relational Meanings and Figures of Authority in the Reliefs of Souillac - Martin Büchsel, The Status of Sculpture in the Early Middle Ages: Liturgy and Paraliturgy in the Liber miraculorum sancte Fidis - Thomas E. A. Dale, The Nude, Phantasia, Vision and the Affective Powers Sculpture - Ilene H. Forsyth, The Role of Verbal and Visual Texts in the Moissac Cloister - Dorothy F. Glass, Word into Image in Italian Romanesque Sculpture - Klaus Niehr, Porches, Walls, and Capitals: New Aesthetics in Architectural Sculpture of the Eleventh and Twelfth Centuries - José Luis Senra, Between Rupture and Continuity: Romanesque Sculpture at the Monastery of Santo Domingo de Silos - Andrea von Hülsen-Esch, Romanesque Sculpture in Italy: Form, Function, and Cultural Practice - John Williams, The Emergence of Spanish Romanesque Sculpture: A Century of Scholarship