De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
cover price: € 48.00
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Books included in the offer:
De Nittis e la rivoluzione dello sguardo.
Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.
FREE (cover price: € 48.00)
De Nittis. Peppino e il ventaglio magico
Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).
FREE (cover price: € 14.00)
Donna. Immagini del femminile da Boldini a oggi
Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).
FREE (cover price: € 28.00)
Firenze capitale (1865-2015). I doni e le collezioni del Re
Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.
FREE (cover price: € 30.00)
Unstitching Rex Trueform. The Story of an African Factory
Ilze Wollf
Libreria Editrice L'Erma di Bretschneider
Winner of the first edition of Premio L'ERMA-C.
English Text.
Roma, 2017; paperback, pp. 126, 100 b/w ill., cm 20x24.
(Lerma-C. 1).
series: Lerma-C
ISBN: 88-913-1246-0 - EAN13: 9788891312464
Subject: Civil Architecture/Art,Essays (Art or Architecture)
Period: 1960- Contemporary Period
Places: Out of Europe
Languages:
Weight: 0.42 kg
The buildings are a primary archival source, but conversational interviews with exworkers begin to give a glimpse of what it was like to work for Rex Trueform, considered as a significant company in the clothing manufacturing industry.
Visual material, drawings and film footage, tracks the architectural development of the site, linking it with key moments in the political life of South Africa. This raises questions around the relationship between the apartheid state-endorsed white capital and disenfranchised black labour. Race and identity is a key theme, questioning the role that industry, sociology and apartheid played in the constructions and stabilising thereof with the Cape factory as a primary site. The buildings, situated both in the historical time as well as in the contemporary postapartheid framework, offer multiple readings of how space and architecture contributed towards ascribing identities onto people and how these ascribed identities were and are being contested and disrupted. The dissertation thus raises questions of how the modern city of Cape Town was produced by looking at some of the socio-political conditions under which Rex Trueform, a major industrial site, was developed.










