La collezione dei bronzi del Museo Civico Medievale di Bologna
San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.
cover price: € 150.00
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Books included in the offer:
La collezione dei bronzi del Museo Civico Medievale di Bologna
San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.
FREE (cover price: € 150.00)
Petrosa. Un insediamento dell'età del bronzo a Sesto Fiorentino
Vinci, 1994; paperback, pp. 114, 29 b/w ill., 16 col. ill., cm 17x24.
FREE (cover price: € 15.49)
Bronzi e Pietre Dure nelle Incisioni di Valerio Belli Vicentino
Edited by Tubi Ravalli C.
Ferrara, 2004; bound, pp. 215, b/w and col. ill., cm 26x31.
FREE (cover price: € 100.00)
L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale
Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).
FREE (cover price: € 44.00)
The Steenwyck Family as Masters of Perspective
Howarth Jeremy
Brepols Publishers
English Text.
Turnhout, 2009; hardback, pp. 560, 200 b/w ill., 16 col. ill., cm 19x25.
(Pictura Nova XII).
series: Pictura Nova XII
ISBN: 2-503-51509-6 - EAN13: 9782503515090
Subject: Essays (Art or Architecture)
Languages:
Weight: 1.82 kg
They were among the first artists to concentrate on making use of the science of perspective to produce idealised and meticulously painted architectural scenes, enhanced by elegant figures, sometimes executed by artists of the quality of Jan Brueghel I, as the basis of a new style of painting. Spanning the turbulent period from the late 16th to the mid 17th centuries they succeeded in producing a new art form that found favour with connoisseurs in much of Europe, including the court of King Charles I in London, where Steenwyck the Younger worked for over 20 years.
This book, the first ever written on the Steenwycks, covers the work of this talented family and explores the social, economic and religious conditions which help to explain the appeal of this elegant new style to their patrons. The catalogue raisonné covers the known works of the artists and contains detailed provenances and bibliographic references. The book contains a number of illustrations, including a number which will be barely known except by specialists in the subject.