Raffaello 1520-1483.
Roma, Scuderie del Quirinale, March 5 - June 2, 2020.
Edited by Faietti M. and Lafranconi M.
Milano, 2020; paperback, pp. 544, 400 col. ill., cm 22x28.
(Cataloghi di Arte Antica).
cover price: € 46.00
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Books included in the offer:
Raffaello 1520-1483.
Roma, Scuderie del Quirinale, March 5 - June 2, 2020.
Edited by Faietti M. and Lafranconi M.
Milano, 2020; paperback, pp. 544, 400 col. ill., cm 22x28.
(Cataloghi di Arte Antica).
FREE (cover price: € 46.00)
Da Raffaello a Goya... da Van Gogh a Picasso. 50 dipinti dal Museu de Arte di San Paolo del Brasile
Trento, Palazzo delle Albere, September 18 - November 15, 1987.
Edited by Camesasca E.
Milano, 1987; paperback, pp. 240, b/w and col. ill., tavv., cm 23x27.
(Grandi Mostre).
FREE (cover price: € 25.00)
Alla mensa del Signore. Capolavori della pittura europea da Raffaello a Tiepolo
Edited by Giovanni Morello.
Torino, 2011; paperback, pp. 256, b/w ill., 111 col. plates, cm 24x28.
FREE (cover price: € 35.00)
Raffaello
Milano, 1990; paperback, pp. 118, col. ill., col. plates, cm 23x27.
(Grandi Tascabili Economici. 0009.).
FREE (cover price: € 15.00)
Miseria e nobiltà. Gaetano Costa, la cucina dei contrasti
Milano, 2013; paperback, pp. 128, ill., cm 15x19.
(Chef!).
FREE (cover price: € 12.90)
La cucina vip. Alessandro Circiello, le ricette per le star
Milano, 2013; paperback, pp. 128, ill., cm 15x19.
(Chef!).
FREE (cover price: € 12.90)
Kunga. Law Women from the Desert. [English and French Ed.]
Glowczewski Barbara - Morvan Arnaud - Petitjean Georges - Dussart Françoise.
Skira
English and French Text.
Milano, 2012; paperback, pp. 128, 7 b/w ill., 128 col. ill., cm 24x28.
ISBN: 88-572-1363-3 - EAN13: 9788857213637
Subject: Painting,Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0.82 kg
From the start of their painting movement, an agreement was made with men to obtain permission to use the dot motif, generally reserved for male ceremonies. The women then developed a remarkable technique, using smaller dots, by multiplying the semicircles and inventing new combinations of colours. A veritable artistic fever swept through the Australian outback at the start of the 1990s. Several leading women artists soon began to emerge. In 1997, Emily Kame Kngwarreye Judy Watson and Yvonne Koolmatrie were selected to represent Australia at the Venice Biennale. In art centres, women are now in the majority and little by little are revealing a change in paradigm: riding the wave of their political, artistic and economic success, the women of the outback seem to be taking the reins of the destiny of their communities in hand with the same assurance as has enabled them to transform the history of Australian art.