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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Gothic sculpture in America. II. The Museum of the Midwest

Brepols Publishers

English Text.
Turnhout, 2001; hardback, pp. 469, 329 numbered b/w ill., cm 22x29.

series: Corpus of Gothic Sculpture in American Collections (CGSAC 2)

ISBN: 2-503-51147-3 - EAN13: 9782503511474

Subject: Collections,Sculpture

Period: 1000-1400 (XII-XIV) Middle Ages

Places: Out of Europe

Languages:  english text  

Weight: 1.94 kg


This publication is the second volume of the Census of Gothic Sculpture in America and incorporates over 650 works of sculpture located in twelve states and twenty museums in the Midwest, serving as a basis for new interpretations and new meanings.

With the publication of this second volume of the Census of Gothic Sculpture in America the project has examined over 650 works of sculpture in stone and wood located in twelve states and twenty museums. The richness and inclusiveness of this material - although for the most part existing in fragmentary condition and removed from its original context - constitutes a deposit of the past in which Americans have been free to imagine a culture far removed from their direct experience. This catalogue stands for a late twentieth-century interpretation of the European Middle Ages. At the same time, by presenting all the documentary and physical information now available to us, the authors hope to provide a basis on which new interpretations can be built and new meanings created.

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