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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Julia Carrillo. Sole pioggia vento. Ediz. illustrata

A+Mbookstore

Edited by Luca Panaro.
Translation by Jeremy Parzern.
Milano, 2025; paperback, pp. 112, ill., cm 15x21.

EAN13: 9791281232136

Subject: Photography

Languages:  italian text  

Weight: 0.282 kg


Julia Carrillo's images were created in a darkroom, a technique that dates back to the origins of photography and lets the artist draw with light directly on photosensitive paper, without a conventional camera. The project followed the Mexican artist's residency at the Zenato winery's estates in Peschiera del Garda and Valpolicella, where she observed work in the fields and in the winemaking facility during the harvest, and explored the role of nature in the production process. The vineyards are positioned through a deep understanding of the natural elements that choreograph sun, rain, and wind. In parallel, Carrillo's images are produced using light, water, and air: at times direct sunlight, at others artificial rain and wind created inside the camera obscura. The resulting images record the interaction of these elements and become abstract shapes, freed from direct interpretation. Visual dynamism and the loss of recognizability of the subject are key to her darkroom practice. During the project, she also used red wine as a light filter, noting a marked difference in image contrast.

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