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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

The Bayeux Tapestry. Bayeux, Médiathèque municipale: Ms. 1. A Sourcebook

Brepols Publishers

English and French Text.
Turnhout, 2014; paperback, pp. 316, col. ill., cm 15x21.

ISBN: 2-503-54917-9 - EAN13: 9782503549170

Subject: Textiles (Tapestries, Carpets, Embroyderies)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  english, french text   english, french text  

Weight: 0.89 kg


The Bayeux Tapestry is a late eleventh-century embroidery, 68.5 metres/224 feet long, visualizing events leading up to the Battle of Hastings in 1066 and the subsequent Norman Conquest of England. In the past 300 years, since its rediscovery in Bayeux Cathedral, it has provided fertile ground for the musings, opinions, and investigations of antiquarians, scholars, novelists, journalists, and other interested parties. This volume reconstructs the often turbulent history of this remarkable work of art, and offers a critical analysis and annotated bibliography of the more than 1000 publications which have attempted to answer the many questions it has provoked. Discussions have focused on the origin of the Tapestry - workshop location, patronage, artistic sources, dating, and purpose. The narrative has been interpreted as Norman propaganda by some, as English propaganda by others. Its legitimacy as an historical document has been evaluated, often with contradictory conclusions, and attention has been drawn to its value as a reflection of contemporary life and customs. The Latin inscriptions have been analysed and shown to exhibit both English and French characteristics. Links have been proposed with English and French epic poetry, while recent scholarship has brought literary and communication theories into discussions. Its numerous reproductions, facsimiles, and "spinoffs" attest efforts to make it known to a greater audience, while emphasizing its relevance for modern viewers. It has become the world's most famous textile.

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