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DEAL OF THE DAY

La collezione dei bronzi del Museo Civico Medievale di Bologna

San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.

cover price: € 150.00

La collezione dei bronzi del Museo Civico Medievale di Bologna

Total price: € 150.00 € 309.49 add to cart carrello

Books included in the offer:

La collezione dei bronzi del Museo Civico Medievale di Bologna

San Casciano V. P., 2017; paperback, pp. 402, col. plates, cm 21,5x30.

FREE (cover price: € 150.00)

La collezione dei bronzi del Museo Civico Medievale di Bologna

Petrosa. Un insediamento dell'età del bronzo a Sesto Fiorentino

Vinci, 1994; paperback, pp. 114, 29 b/w ill., 16 col. ill., cm 17x24.

FREE (cover price: € 15.49)

Petrosa. Un insediamento dell'età del bronzo a Sesto Fiorentino

Bronzi e Pietre Dure nelle Incisioni di Valerio Belli Vicentino

Edited by Tubi Ravalli C.
Ferrara, 2004; bound, pp. 215, b/w and col. ill., cm 26x31.

FREE (cover price: € 100.00)

Bronzi e Pietre Dure nelle Incisioni di Valerio Belli Vicentino

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

Atti del Convegno Internazionale di Studi, Venezia - Fondazione Giorgio Cini, October 23 - October 24, 2007.
Edited by Avery V. and Ceriana M.
Translation by Ermini G.
Trento, 2008; paperback, pp. 480, b/w ill., cm 21,5x29.
(Pubblicazioni del Comitato Nazionale per le celebrazioni del 550° anniversario della nascita di Tullio Lombardo).

FREE (cover price: € 44.00)

L'industria artistica del bronzo del Rinascimento a Venezia e nell'Italia settentrionale

chiudi

Sinfonie visive-Visual symphonies. Ediz. bilingue

Edizioni Artestampa

Italian and English Text.
Modena, 2023; paperback, pp. 128, ill., cm 21,5x21,5.

ISBN: 88-6462-997-1 - EAN13: 9788864629971

Languages:  english, italian text   english, italian text  

Weight: 0.56 kg


Leopoldo Bon is back with a new series of works in which he combines his scientific formation and his artistic eye in a continuous demonstration of how matter can be seen through the lens of science, as well as through a quintessentially artistic spirit. The pictorial trait in Bon's shots never fails to amaze the observer. He uses the camera to interpret his subjects, rather than to reproduce them, mixing in a harmonious result all the experiences that have shaped his personality: pictorial art, photography, scientific research on the connection between eye and brain and the studies on human physiology. As in his previous collections, Bon transforms matter into unexpected shapes and hypnotic colours. This time however he has entitled his works to evoke different images: from metaphysics to the social sphere, from human interiority to nature, up to the multiplicity of everyday life. Bon's eclecticism confirms itself as a means by which he establishes a dialogue between the many facets of the real and the surreal. The editor Carlo Bonacini

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