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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Farid Belkahia. [English Ed.]

Skira

English Text.
Milano, 2013; hardback, pp. 208, 130 col. ill., cm 24x30.

ISBN: 88-572-1944-5 - EAN13: 9788857219448

Subject: Monographs (Painting and Drawing),Monographs (Sculpture and Decorative Arts)

Period: 1960- Contemporary Period

Languages:  english text  

Weight: 1.61 kg


Farid Belkahia is one of the pioneers of contemporary Art in the Maghreb. Since the 1960s, his artistic research has focused on new ways of self-expression and examining his own identity and relationship with the 'other'.
Belkahia left the practice of traditional painting to work with copper, a new material for him, which he hammers, burns, oxidizes, and 'wounds' in order to achieve emblematic traces, undulations, and flexible, rhythmic bas relief effects.
Since 1974, Belkahia has also been working on parchment, which he darkens and softens to make it thinner, and almost translucent. This results in a kind of purifying process that is essential to his work, setting free an otherwise restrained creative energy.
His use of leather is similar to parchment stretched on board, producing his unique totemic icons.

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