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DEAL OF THE DAY

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

cover price: € 48.00

De Nittis e la rivoluzione dello sguardo.

Total price: € 48.00 € 120.00 add to cart carrello

Books included in the offer:

De Nittis e la rivoluzione dello sguardo.

Ferrara, Palazzo dei Diamanti, December 1, 2019 - April 13, 2020.
Edited by Pacelli M. L., Guidi B. and Pinet Hélène.
Translation by Archer M.
Ferrara, 2019; bound, pp. 288, col. ill., cm 24x29.

FREE (cover price: € 48.00)

De Nittis e la rivoluzione dello sguardo.

De Nittis. Peppino e il ventaglio magico

Roma, chiostro del Bramante, November 13, 2004 - February 27, 2005.
Milano, Fondazione Antonio Mazzotta, primavera 2005.
Milano, 2005; bound, pp. 100, ill., cm 16x22.
(Ragazzi).

FREE (cover price: € 14.00)

De Nittis. Peppino e il ventaglio magico

Donna. Immagini del femminile da Boldini a oggi

Pescara, Museo d'Arte Moderna Vittoria Colonna, October 20, 2005 - January 23, 2006.
Milano, 2005; paperback, pp. 120, ill., cm 23x27.
(Biblioteca d'Arte).

FREE (cover price: € 28.00)

Donna. Immagini del femminile da Boldini a oggi

Firenze capitale (1865-2015). I doni e le collezioni del Re

Firenze, Galleria d'Arte Moderna - Appartamento della Duchessa d' Aosta, November 19, 2015 - April 3, 2016.
Edited by Condemi S.
Livorno, 2015; paperback, pp. 351, b/w and col. ill., b/w and col. plates, cm 24,5x28,5.

FREE (cover price: € 30.00)

Firenze capitale (1865-2015). I doni e le collezioni del Re

chiudi

Einfach Himmlisch! Die Malerin Marie Ellenrieder 1791-1863

Arnoldsche Art Publishers

German Text.
Stuttgart, 2013; hardback, pp. 192, 130 col. ill., cm 24x28.

ISBN: 3-89790-388-1 - EAN13: 9783897903883

Subject: Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Languages:  deutsch text  

Weight: 1.32 kg


Marie Ellenrieder (1791-1863) from Constance is one of the most significant female German painters of the nineteenth century. She embarked confidently and successfully on a path through life that was unusual for her time. After starting out as a miniaturist, in 1813 she was the first woman admitted to study at the Munich Art Academy. She soon went on to become a sought-after portraitist. Her expressive portraits of the bourgeoisie and aristocrats, of men, women and children, display a captivating freshness of perception and psychological perspicacity. Marie Ellenrieder also made pioneering contributions to the genre of religious art: her altarpieces for the church in Ichenheim/Ortenau in 1822 were the first by a German female artist for a Catholic church.

A journey to Italy in 1822-1824 introduced Marie Ellenrieder to the German Nazarene art movement, which was active in Rome. Their creative work and lifestyle reflected her own ambitions: the linking of life, faith and art.

In 1827 Marie Ellenrieder was the first woman to be awarded the Gold Medal for Art and Science by the Badischer Kunstverein [Baden Art Association]. In 1829 Grand Duke Ludwig appointed her as the Baden court painter. The highly revered artist died in 1863 in Constance.

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