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DEAL OF THE DAY

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

cover price: € 160.00

Felice Palma. Massa 1583-1625. Collezione / Collection.

Total price: € 160.00 € 314.49 add to cart carrello

Books included in the offer:

Felice Palma. Massa 1583-1625. Collezione / Collection.

Texts by Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio and Sara Ragni.
Italian and English Text.
Pontedera, 2024; bound in a case, pp. 289, b/w and col. ill., b/w and col. plates, cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).

FREE (cover price: € 160.00)

Felice Palma. Massa 1583-1625. Collezione / Collection.

Le botteghe del marmo

Italian and English Text.
Ospedaletto, 1992; bound, pp. 153, 10 b/w ill., 60 col. ill., cm 24x29.
(Immagine).

FREE (cover price: € 34.49)

Le botteghe del marmo

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Edited by Nesi A.
Firenze, 2009; paperback, pp. 191, 102 b/w ill., 7 col. ill., cm 17x24,5.
(Museo Stefano Bardini).

FREE (cover price: € 30.00)

Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo

Bronzetti e Rilievi dal XV al XVIII Secolo

Bologna, 2015; 2 vols., bound in a case, pp. 729, ill., col. plates, cm 21,5x30,5.

FREE (cover price: € 90.00)

Bronzetti e Rilievi dal XV al XVIII Secolo

chiudi

Rembrandt

Waanders Uitgevers

English Text.
Zwolle, 1997; hardback, pp. 464, 335 b/w ill., 135 col. ill., cm 25,5x30.

ISBN: 90-400-9981-2 - EAN13: 9789040099816

Languages:  english text  

Weight: 2.79 kg


Rembrandt occupies his very own place among the Dutch seventeenth-century painters of the human figure. Throughout the years he changed his technique, but his style remained personal and recognisable. Recently it has been posited that Rembrandt aimed at recognisability for the purpose of being as conspicuous as possible on the art market, almost in the sense of employing a trademark. There is no evidence that either Rembrandt or his contemporaries thought anything of a kind. Yet it is certain that Rembrandt.s 'manner' was recognised as such in his own time, and that he had many pupils to whom he taught his 'manner' and that there were several followers who attempted to learn and assimilate it by themselves. However it is often difficult to determinate just who was a pupil and who was a follower of Rembrandt. In this richly illustrated book some important Rembrandt-experts describe Rembrandt and his impact on his contemporaries.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci