Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Tales of the Orient
Arturo Carlo Quintavalle
Skira
Milano, 2008; hardback, pp. 304, 400 b/w and col. ill., cm 24x28.
ISBN: 88-7624-278-3 - EAN13: 9788876242786
Subject: Photography
Period: 1800-1960 (XIX-XX) Modern Period,1960- Contemporary Period
Places: Out of Europe
Extra: Oriental Art and Culture
Languages:
Weight: 0 kg
With the discovery of photography in 1839, archaeological documentation and travel illustration were among the main fields of application of this new technique. The work of the "second generation" offered a rich interweave of photographers of western origin who traveled East: local operators with cosmopolitan backgrounds and itinerant photographers transmitting iconographies from Armenia to Greece, and from Turkey to Egypt.
The years between 1850 and 1890 thus marked a watershed in the elaboration and dissemination of photographic images, branching out into increasingly diversified publication formats-from books with attached photographs, personal memory albums to stereography, the postcard and the plate for the magic lantern.
This book brings together many never-seen-before 19th century photographs of the Orient from the Communication Archive and Research Center of the University of Parma, the largest photographic collection in Italy. The volume constitutes an exceptionally representative cross-section of the photographic work done in the Near and Middle East from the 1860s to 1910 by photographers of great stature. Though these photographers provided an extended imagery, whose actions played a significant role in determining how the countries depicted were represented, they tend to remain anonymous illustrators, perhaps even lacking a biography or a reliable chronology of works.
These fascinating photographs, beautifully reproduced in duotone plates, touch on all the genres practiced in 19th century photography: from panoramas to atelier portraits, from theme shots to urban vistas and to the transcription of the relics of antiquity, and will delight travelers, photography collectors, and scholars in the region.










