Felice Palma. Massa 1583-1625. Collezione / Collection.
Testi di Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
prezzo di copertina: € 160.00
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Libri compresi nell'offerta:
Felice Palma. Massa 1583-1625. Collezione / Collection.
Testi di Claudio Casini, Andrei Cristina, Ciarlo Nicola, Federici Fabrizio e Sara Ragni.
Testo Italiano e Inglese.
Pontedera, 2024; ril. in cofanetto, pp. 289, ill. b/n e col., tavv. b/n e col., cm 24,5x34.
(L'Oro Bianco. Straordinari Dimenticati. The White Gold Forgotten Masters).
OMAGGIO (prezzo di copertina: € 160.00)
Le botteghe del marmo
Testo Italiano e Inglese.
Ospedaletto, 1992; ril., pp. 153, 10 ill. b/n, 60 ill. col., cm 24x29.
(Immagine).
OMAGGIO (prezzo di copertina: € 34.49)
Museo Stefano Bardini. I Bronzetti e gli Oggetti d'Uso in Bronzo
A cura di Nesi A.
Firenze, 2009; br., pp. 191, 102 ill. b/n, 7 ill. col., cm 17x24,5.
(Museo Stefano Bardini).
OMAGGIO (prezzo di copertina: € 30.00)
Bronzetti e Rilievi dal XV al XVIII Secolo
Bologna, 2015; 2 voll., ril. in cofanetto, pp. 729, ill., tavv. col., cm 21,5x30,5.
OMAGGIO (prezzo di copertina: € 90.00)
Luciano Fabro
Margit Rowell
Phaidon Press Limited
London, 2024; ril., pp. 224, ill. col., cm 24x30.
ISBN: 1-58093-611-3 - EAN13: 9781580936118
Soggetto: Saggi (Arte o Architettura),Scultura,Scultura e Arti Decorative - Monografie
Periodo: 1960- Contemporaneo
Testo in:
Peso: 0.65 kg
Luciano Fabro was a founding member, and later leading critic, of Arte Povera, the materials- and experience-based art movement that began in Italy in the late 1960s. He went on to be exhibited internationally, becoming the first artist from the group to receive a major US retrospective, at the San Francisco Museum of Modern Art in 1992. Fabro was a controversial artist, yet still a critical favorite: in 2018 the leading art publication The Brooklyn Rail dedicated an entire issue to Fabro; and New York Times critic Roberta Smith wrote that Fabro treated 'artmaking less as a profession and more as a continuing experiment intended to keep himself entertained and the viewer slightly off-balance'.
This comprehensive, heavily illustrated monograph is the first complete overview of Fabro's life and career, written by esteemed critic and curator Margit Rowell, who interacted with Fabro repeatedly in his later years, and is published with the full support and participation of the artist's estate and international galleries, Paula Cooper (New York), Christian Stein (Milan) and Simon Lee (London and Hong Kong).










