Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
cover price: € 33.00
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Books included in the offer:
Arturo Martini. I capolavori
Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.
FREE (cover price: € 33.00)
Studi su Arturo Martini. Per Ofelia
Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.
FREE (cover price: € 29.00)
Canova. L'invenzione della gloria. Disegni, dipinti e sculture.
Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.
FREE (cover price: € 35.00)
Luciano Fabro
Margit Rowell
Phaidon Press Limited
London, 2024; bound, pp. 224, col. ill., cm 24x30.
ISBN: 1-58093-611-3 - EAN13: 9781580936118
Subject: Essays (Art or Architecture),Monographs (Sculpture and Decorative Arts),Sculpture
Period: 1960- Contemporary Period
Languages:
Weight: 0.65 kg
Luciano Fabro was a founding member, and later leading critic, of Arte Povera, the materials- and experience-based art movement that began in Italy in the late 1960s. He went on to be exhibited internationally, becoming the first artist from the group to receive a major US retrospective, at the San Francisco Museum of Modern Art in 1992. Fabro was a controversial artist, yet still a critical favorite: in 2018 the leading art publication The Brooklyn Rail dedicated an entire issue to Fabro; and New York Times critic Roberta Smith wrote that Fabro treated 'artmaking less as a profession and more as a continuing experiment intended to keep himself entertained and the viewer slightly off-balance'.
This comprehensive, heavily illustrated monograph is the first complete overview of Fabro's life and career, written by esteemed critic and curator Margit Rowell, who interacted with Fabro repeatedly in his later years, and is published with the full support and participation of the artist's estate and international galleries, Paula Cooper (New York), Christian Stein (Milan) and Simon Lee (London and Hong Kong).









