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chiudi

DEAL OF THE DAY

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 440, 300 col. ill., cm 25,2x29,8.

cover price: € 80.00

Beato Angelico

Total price: € 80.00 € 189.00 add to cart carrello

Books included in the offer:

Beato Angelico

Firenze, Palazzo Strozzi, September 26, 2025 - January 25, 2026.
Edited by Carl Brandon Strehlke.
Testi di Stefano Casciu, Marco Mozzo, Angelo Tartuferi.
Venezia, 2025; bound, pp. 440, 300 col. ill., cm 25,2x29,8.

FREE (cover price: € 80.00)

Beato Angelico

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Ospedaletto, 2007; bound, pp. 320, col. ill., col. plates, cm 25,5x29.

FREE (cover price: € 77.00)

Marche e Toscana. Terre di grandi maestri tra Quattro e Seicento

Segni dell'Eucarestia

Edited by M. Luisa Polichetti.
Ancona, Osimo, Loreto Jesi, Senigallia, Fabriano e Metelica, 23 giugno - 31 ottobre 2011.
Torino, 2011; paperback, pp. 221, b/w and col. ill., cm 24x28.

FREE (cover price: € 32.00)

Segni dell'Eucarestia

chiudi

Van Gogh's Studio Practice

Yale University Press

English Text.
London, 2013; hardback, pp. 500, 300 col. ill., cm 24x29.

ISBN: 0-300-19187-1 - EAN13: 9780300191875

Subject: Monographs (Painting and Drawing)

Period: 1800-1960 (XIX-XX) Modern Period

Languages:  english text  

Weight: 2.98 kg


This groundbreaking publication, a companion to Van Gogh at Work (see opposite), shows how the artist experimented with an enormous range of materials and techniques in his paintings and drawings. The result of an extensive research project carried out by the Van Gogh Museum, Shell, and the Netherlands Institute for Cultural Heritage, this book discusses the artist's decisions to work with certain supports, priming layers, pigments, and inks, all of which had a profound effect on his final works. Also included are vast amounts of new information concerning van Gogh's resources, working conditions, and methods as well as potential influences on his work. Presented in detail is an overview of art that Van Gogh saw in exhibitions, handbooks he was able to acquire, and the materials and tools available at the time. The combination of art historical, scientific, and technical knowledge provides a better sense of how Van Gogh's artwork originally looked, encouraging reconsideration of future conservation efforts.

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design e realizzazione: Vincent Wolterbeek / analisi e programmazione: Rocco Barisci