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DEAL OF THE DAY

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

cover price: € 40.00

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Total price: € 40.00 € 249.90 add to cart carrello

Books included in the offer:

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Perugia, Galleria Nazionale dell'Umbria, March 4 - June 11, 2023.
Edited by Picchiarelli V. and Pierini M.
Milano, 2023; bound, pp. 592, 650 col. ill., cm 24x21.

FREE (cover price: € 40.00)

Perugino e il Suo Tempo. "Il Meglio Maestro d'Italia"

Michele Rocca e la pittura rococo a Roma

Brescia, 2004; bound in a case, pp. 310, b/w and col. ill., tavv., cm 24,5x31,5.

FREE (cover price: € 180.00)

Michele Rocca e la pittura rococo a Roma

Cucinare per gli amici

Translation by S. Mancuso.
Milano, 2012; clothbound, pp. 269, ill., cm 21x26,5.
(Gli Illustrati).

FREE (cover price: € 29.90)

Cucinare per gli amici

chiudi

Goltzius-Studies: Hendrick Goltzius (1558-1617)

Goltzius-Studies: Hendrick Goltzius (1558-1617)

Waanders Uitgevers

English and German Text.
Zwolle, 1993; hardback, pp. 544, 348 b/w ill., cm 20,5x26,5.
(Nederlands Kunsthistorisch Jaarboek).

series: Nederlands Kunsthistorisch Jaarboek

ISBN: 90-6630-351-4 - EAN13: 9789066303515

Subject: Graphic Arts (Prints, Drawings, Engravings, Miniatures),Monographs (Painting and Drawing)

Period: 1400-1800 (XV-XVIII) Renaissance

Places: Europe

Languages: english, deutsch text   english, deutsch text  

Weight: 1.97 kg


This double issue is volume 42-43 of the Netherlands Yearbook for History of Art. It focuses on the work of the artist Hendrick Goltzius from Haarlem, who lived from 1558 to 1617. He was one of the most important Dutch artists of his age. The Goltzius yearbook includes the results of recent investigation. There is commentary on the biography of Goltzius by his contemporary Karel van Mander. The stylistic and substantive aspects of his work are discussed. The allegorical character of the prints is analysed. An extensive bibliography along with contributions and summary in English complete the yearbook.

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