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DEAL OF THE DAY

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

cover price: € 33.00

Arturo Martini. I capolavori

Total price: € 33.00 € 97.00 add to cart carrello

Books included in the offer:

Arturo Martini. I capolavori

Treviso, Museo “luigi Bailo”, March 31 - July 30, 2023.
Edited by Stringa Nico and Fabrizio Malachin.
Cornuda, 2023; paperback, pp. 278, col. ill., cm 23x29.

FREE (cover price: € 33.00)

Arturo Martini. I capolavori

Studi su Arturo Martini. Per Ofelia

Edited by Matteo Ceriana and Claudia Gian Ferrari.
Milano, Atti del Covegno, 19 maggio 2008.
Milano, 2009; paperback, pp. 136, 97 b/w ill., cm 17x24.

FREE (cover price: € 29.00)

Studi su Arturo Martini. Per Ofelia

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

Genova, Palazzo Reale, April 16 - July 24, 2016.
Edited by Giuliana Ericani and Franceasco Leone.
Roma, 2016; paperback, pp. 306, col. ill., col. plates, cm 23x30.

FREE (cover price: € 35.00)

Canova. L'invenzione della gloria. Disegni, dipinti e sculture.

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National Gallery Technical Bulletin. Volume 32. Leonardo da Vinci. Pupil, Painter, and Master

National Gallery Technical Bulletin. Volume 32. Leonardo da Vinci. Pupil, Painter, and Master

The National Gallery

English Text.
London, 2011; paperback, pp. 112, 169 col. ill., cm 24x28.

series: National Gallery Technical Bulletin

ISBN: 1-85709-530-8 - EAN13: 9781857095302

Subject: Monographs (Painting and Drawing),Painting

Period: 1400-1800 (XV-XVIII) Renaissance

Languages: english text  

Weight: 0.53 kg


Published to accompany the highly anticipated exhibition Leonardo da Vinci: Painter at the Court of Milan at the National Gallery, London, this extended volume of the Technical Bulletin documents new research undertaken on the life and work of Leonardo. It includes an analysis of his time in Verrocchio's workshop, where he adopted the new technique of oil painting; an article on the recent conservation and redisplay of the London version of The Virgin of the Rocks; and examples of Leonardo's painting practice and influence while he was court painter to the Duke of Milan, Ludovico Sforza

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