Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
cover price: € n.d.
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Books included in the offer:
Giorgio De Chirico. Il volto della metafisica.
Genova, Palazzo Ducale, March 29 - July 7, 2019.
Edited by Noel-Johnson V.
Milano, 2019; bound, pp. 246, col. ill., cm 24x29.
(Arte Moderna. Cataloghi).
FREE (cover price: € n.d.)
Giorgio de Chirico. Nulla Sine Tragoedia Gloria
Atti del Convegno Internazionale di Studi - Auditorium Dell'Iri, Roma, October 15 - October 16, 1999.
Edited by Claudio Crescentini and Crescentini C.
Co-Editore: Associazione Culturale Shakespeare and Company 2.
Montecatini Terme, 2002; paperback, pp. 504, 188 b/w ill., 21 col. plates, cm 21x30.
(Shakespeare and Company. 2).
FREE (cover price: € 75.00)
Mutazioni. Segni e sogni del XX secolo. Da de Chirico a de Maria
Gavirate, Chiostro di Voltorre, February 23 - April 27, 2003.
Milano, 2003; paperback, pp. 108, ill., tavv., cm 16x22,5.
(Biblioteca d'Arte).
FREE (cover price: € 18.00)
Georges Rouault, Giorgio De Chirico
Mosummano Terme, Villa Renatico Martini, November 23, 2003 - February 15, 2004.
Lyon, La Spirale, October 4 - October 31, 2004.
Edited by Cassinelli P., Giori M. and Viggiano D.
Italian and French Text.
Ospedaletto, 2004; paperback, pp. 150, b/w ill., b/w plates, cm 17x24.
FREE (cover price: € 13.00)
Cézanne/Renoir. Masterpieces from the Musée de l'Orangerie and the Musée d'Orsay
Skira
Edited by Zuffi Stefano and Cécile Girardeau.
English Text.
Milano, 2024; hardback, pp. 192, 85 col. ill., cm 21x26.
Edizione italiana 88-572-5160.
ISBN: 88-572-5226-4 - EAN13: 9788857252261
Subject: Collections,Monographs (Painting and Drawing),Painting
Period: 1800-1960 (XIX-XX) Modern Period
Languages:
Weight: 0 kg
Each developing their own particular style - Cézanne with an emphasis on rigour and geometry, Renoir a focus on harmony and softness - the two masters were pivotal figures of their time, from the last quarter of the nineteenth century into the early twentieth, from the inception of Impressionism to its peak.
The two painters met in Paris in the 1960s and forged a lasting friendship based on mutual admiration, exploring questions about their art and cultivating shared interests in genres ranging from still life to landscape, portrait, and the nude.
This book showcases masterpieces collected by art dealer Paul Guillaume, who recognized Cézanne and Renoir as pioneers of a style that was both classical and modern.
After Guillaume passed away, his widow Domenica Walter continued to build the collection, which is today housed at the prestigious Musée de l'Orangerie and Musée d'Orsay in Paris.
Published on the occasion of the extraordinary exhibition at the Palazzo Reale, the volume presents fifty masterpieces by Cézanne and Renoir (together with three modern paintings by Picasso and Kees Van Dongen) offering an exhaustive survey of the work of the two artists, from the first canvases of the 1870s to the mature works of the early 20th century; works that represent their best achievements, whether in landscape painting (Renoir, Snowy Landscape, 1875; Cézanne, Trees and Houses, 1885) or still lifes (Renoir, Flowers in a Vase, 1898; Cézanne, The Blue Vase, 1889-1890), or portraits (Renoir, Claude Renoir in Clown Costume, 1909; Cézanne, Portrait of Madame Cézanne, 1885-1895), or of the famous series of bathers (Renoir, Bather with Long Hair, 1895; Cézanne, Three Bathers, 1874-1875).










