Openness and Idealism. Soviet Posters 1985-1991

Confronted with a failing economy and the twilight of the Communist mode of governance, General Secretary Mikhail Gorbachev rolled back many of the core tenets of the Soviet Union. In this era of Perestroika (Restructuring), the Soviet Union opened itself to foreign investment, inaugurated a process of decentralization, promised transparency, and accepted previously prohibited critiques of the government. The second development, Glasnost (Openness), brought with it artistic alternatives to the state-endorsed Social Realism, with posters becoming vehicles for confronting the history of the USSR from the vantage of its impending dissolution. As a result, Glasnost became a movement that began a new important chapter in the visual culture of Russia.
The book features approximately 212 reproductions of posters from the Martha H. and J. Speed Carroll Collection, and comprises insightful essays by Russian history scholar Andy Willimott and art historian Pepe Karmel, with an introduction by J. Speed Carroll. The publication also includes three interviews with authors of posters from the period by Russian translator Bela Shayevich